{"id":3365,"date":"2020-05-08T18:30:06","date_gmt":"2020-05-08T18:30:06","guid":{"rendered":"https:\/\/blog.cjh.org\/?p=3365"},"modified":"2024-06-04T18:19:19","modified_gmt":"2024-06-04T18:19:19","slug":"upcoming-exhibition-an-unlikely-photojournalist-emile-bocian-in-chinatown","status":"publish","type":"post","link":"https:\/\/blog.cjh.org\/index.php\/2020\/05\/08\/upcoming-exhibition-an-unlikely-photojournalist-emile-bocian-in-chinatown\/","title":{"rendered":"UPCOMING EXHIBITION | An Unlikely Photojournalist: Emile Bocian in Chinatown"},"content":{"rendered":"<h3>By Lauren Gilbert (co-curator)<br \/>\nSenior Manager for Public Services, Center for Jewish History<\/h3>\n<h2>UPCOMING EXHIBITION | An Unlikely Photojournalist: Emile Bocian in Chinatown<\/h2>\n<figure id=\"attachment_3459\" aria-describedby=\"caption-attachment-3459\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img class=\"wp-image-3459 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-1024x512.jpg\" alt=\"\" width=\"1024\" height=\"512\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-1024x512.jpg 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-300x150.jpg 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-768x384.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-420x210.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-840x420.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-1130x565.jpg 1130w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-3459\" class=\"wp-caption-text\">Emile Bocian in the 1970s. Courtesy of The Museum of Chinese in America (MOCA).<\/figcaption><\/figure>\n<figure id=\"attachment_3445\" aria-describedby=\"caption-attachment-3445\" style=\"width: 238px\" class=\"wp-caption alignleft\"><img class=\"wp-image-3445 size-medium lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianCaricatureWide-238x300.jpg\" alt=\"\" width=\"238\" height=\"300\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianCaricatureWide-238x300.jpg 238w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianCaricatureWide-768x970.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianCaricatureWide-811x1024.jpg 811w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianCaricatureWide-420x530.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianCaricatureWide-840x1061.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianCaricatureWide-1130x1427.jpg 1130w\" sizes=\"(max-width: 238px) 100vw, 238px\" \/><figcaption id=\"caption-attachment-3445\" class=\"wp-caption-text\">Courtesy of The Museum of Chinese in America (MOCA)<\/figcaption><\/figure>\n<p><span style=\"font-size: 16px;\">Emile Bocian (1912-1990), son of Eastern-European Jewish immigrants, was perhaps the only non-Asian resident of Chinatown\u2019s iconic Confucius Plaza apartment complex at the intersection of Bowery, Doyers Street, and Division Street in the 1970s and 80s.\u00a0<\/span><span style=\"font-weight: 400;\">Through a series of chance encounters, he was employed as a photojournalist for a New York-based Chinese-language newspaper, <\/span><i style=\"font-size: 16px;\">The China Post.<\/i><span style=\"font-weight: 400;\">\u00a0[<em>Left:<\/em>\u00a0<\/span><span style=\"font-weight: 400;\">A section showcasing one Chinatown journalist per week featured a caricature of Bocian with the caption, \u201cDo you know that we have a western photojournalist in our press?&#8221;]<\/span><\/p>\n<p>Though a lifelong photography hobbyist, Bocian\u2019s former career had been in public relations. In a series of letters to his friend Chan Canasta, noted mentalist and TV magician, Bocian explained the roots of his connections with Chinatown and <em>The China Post<\/em>: \u201cI got involved with Chinatown when a theater owner asked me to get some publicity for an unknown actor in a movie Fist of Fury\u2026I did such a good job that it started the avalanche of kung fu movies in the U.S. \u2026The theater owner also owned this paper and that is how I am here.&#8221;<\/p>\n<figure id=\"attachment_3401\" aria-describedby=\"caption-attachment-3401\" style=\"width: 231px\" class=\"wp-caption alignright\"><img class=\"wp-image-3401 size-medium lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-letter-231x300.jpg\" alt=\"\" width=\"231\" height=\"300\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-letter-231x300.jpg 231w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-letter-768x998.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-letter-788x1024.jpg 788w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-letter-420x546.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-letter-840x1091.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-letter-1130x1468.jpg 1130w\" sizes=\"(max-width: 231px) 100vw, 231px\" \/><figcaption id=\"caption-attachment-3401\" class=\"wp-caption-text\">Courtesy of The Museum of Chinese in America (MOCA)<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Like many statements from the former PR man, this one contained more than a little hyperbole. (Bocian was later <a href=\"https:\/\/www.nytimes.com\/1977\/04\/26\/archives\/7-chinatown-papers-vie-for-readers.html\">quoted<\/a> in the <\/span><i><span style=\"font-weight: 400;\">New York Times<\/span><\/i><span style=\"font-weight: 400;\"> as a self-des<\/span>cribed \u201cformer press agent to Bruce Lee.\u201d) In the same letter, Bocian tells Canasta about the fictional backstory he created for himself to foster trust in his adopted community: \u201cI tell them I was born in K\u2019ai Feng so they can understand why a Jew is helping the Chinese. K\u2019ai Feng was a capitol [sic] of China in the 11th century when it had a large\u00a0<span style=\"font-weight: 400;\">Jewish colony.\u201d [<em>Right:<\/em> Letter to Chan Canasta dated May 4, 1976]<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Though Bocian spent his final decades documenting and promoting New York City\u2019s Chinese community, he remained an outsider in the neighborhood, as he was not Chinese-American and never learned the language. Over his long residency and photo-journalistic career, however, Bocian and his camera became familiar fixtures on the streets of Chinatown. After his death, the July 27, 1990 edition of <\/span><i><span style=\"font-weight: 400;\">The United Journal,<\/span><\/i><span style=\"font-weight: 400;\"> a Chinese-language newspaper that employed Bocian after <\/span><i><span style=\"font-weight: 400;\">The China Post<\/span><\/i><span style=\"font-weight: 400;\"> had ceased publication, paid tribute to him as \u201ca dear friend of NYC Chinatown\u201d and \u201c[one of] the 3 most respected Jewish persons in the New York Chinatown, the others were Raber and Cohen.\u201d (Irving R. Raber was a real estate developer in Chinatown, and Irwin Cohen was an immigration lawyer who had maintained an office in Chinatown for 25 years.)<\/span><\/p>\n<figure id=\"attachment_3426\" aria-describedby=\"caption-attachment-3426\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Dragon.png\"><img class=\"wp-image-3426 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Dragon-1024x773.png\" alt=\"\" width=\"1024\" height=\"773\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Dragon-1024x773.png 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Dragon-300x226.png 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Dragon-768x580.png 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Dragon-420x317.png 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Dragon-840x634.png 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Dragon.png 1032w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-3426\" class=\"wp-caption-text\">Emile Bocian, 1978. Courtesy of The Museum of Chinese in America (MOCA).<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">During his years as a photojournalist in Chinatown, Bocian amassed an archive of approximately 120,000 photos, largely featuring the places and faces of his adopted neighborhood. <\/span><span style=\"font-weight: 400;\">After his death, his friend, the actress Mae Wong, happened upon the photographs and some personal belongings in his apartment, which she saved until the <\/span><a href=\"https:\/\/www.mocanyc.org\/\"><span style=\"font-weight: 400;\">Museum of Chinese in America (MOCA) <\/span><\/a><span style=\"font-weight: 400;\">had space for them in the mid-1990s.\u00a0<\/span><\/p>\n<figure id=\"attachment_3416\" aria-describedby=\"caption-attachment-3416\" style=\"width: 788px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/phonebooths2.png\"><img class=\"wp-image-3416 size-full lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/phonebooths2.png\" alt=\"\" width=\"788\" height=\"568\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/phonebooths2.png 788w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/phonebooths2-300x216.png 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/phonebooths2-768x554.png 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/phonebooths2-420x303.png 420w\" sizes=\"(max-width: 788px) 100vw, 788px\" \/><\/a><figcaption id=\"caption-attachment-3416\" class=\"wp-caption-text\">Emile Bocian, 1979. Courtesy of The Museum of Chinese in America (MOCA).<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">On January 15, 2020, MOCA\u2019s Assistant Director of Collections (and co-curator of the exhibition) Kevin Chu brought a box of photographs and a handful of memorabilia to the Center for Jewish History in preparation for this upcoming joint exhibition at the Center. One week later, <\/span><a href=\"https:\/\/www.nytimes.com\/2020\/03\/23\/arts\/design\/chinatown-museum-fire-archives.html\"><span style=\"font-weight: 400;\">the Chinatown building housing MOCA\u2019s archive went up in flames<\/span><\/a><span style=\"font-weight: 400;\">. Despite this tragedy, this fortuitous timing enabled the two museums to forge ahead with the planned exhibition, notwithstanding the extensive damage to MOCA\u2019s collections.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Growing out of a collaboration between MOCA and the Center for Jewish History that started in 2019 with a shared <\/span><a href=\"https:\/\/www.clir.org\/\"><span style=\"font-weight: 400;\">CLIR<\/span><\/a><span style=\"font-weight: 400;\"> grant for <\/span><a href=\"https:\/\/blog.cjh.org\/index.php\/2019\/01\/14\/new-york-neighbors-the-shared-jewish-and-chinese-immigrant-and-refugee-experience-grant-funded-by-clir\/\"><span style=\"font-weight: 400;\">Digitizing Hidden Collections<\/span><\/a><span style=\"font-weight: 400;\">, this exhibition, organized by the Museum of Chinese in America and Center for Jewish History, will showcase never-before-seen photos of protests, celebrations, and crime scenes, as well as storefronts and streetscapes that provide a glimpse into a vanishing New York. It will also feature snapshots of local luminaries and Chinatown visitors as far-flung as Cardinal Cooke, Muhammad Ali, and Big Bird.\u00a0<\/span><\/p>\n<figure id=\"attachment_3421\" aria-describedby=\"caption-attachment-3421\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Big-Bird.png\"><img class=\"wp-image-3421 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Big-Bird-1024x781.png\" alt=\"\" width=\"1024\" height=\"781\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Big-Bird-1024x781.png 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Big-Bird-300x229.png 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Big-Bird-768x586.png 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Big-Bird-420x320.png 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Big-Bird-840x641.png 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Big-Bird.png 1095w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-3421\" class=\"wp-caption-text\">Emile Bocian, 1982. Courtesy of The Museum of Chinese in America (MOCA).<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">The opening of <\/span><i><span style=\"font-weight: 400;\">An Unlikely Photojournalist: Emile Bocian in Chinatown<\/span><\/i><span style=\"font-weight: 400;\">, originally planned for March, has been postponed due to the current closure of the Center for Jewish History. Please check back on our <a href=\"https:\/\/www.cjh.org\/\">website<\/a> for updates about the opening date, and look for additional blog posts in the coming weeks.\u00a0<\/span><\/p>\n<figure id=\"attachment_3509\" aria-describedby=\"caption-attachment-3509\" style=\"width: 816px\" class=\"wp-caption alignnone\"><img class=\"wp-image-3509 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianStoop-816x1024.jpg\" alt=\"\" width=\"816\" height=\"1024\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianStoop-816x1024.jpg 816w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianStoop-239x300.jpg 239w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianStoop-768x964.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianStoop-420x527.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianStoop-840x1054.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianStoop-1130x1418.jpg 1130w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/BocianStoop.jpg 1138w\" sizes=\"(max-width: 816px) 100vw, 816px\" \/><figcaption id=\"caption-attachment-3509\" class=\"wp-caption-text\">Emile Bocian, 1976. Courtesy of The Museum of Chinese in America (MOCA).<\/figcaption><\/figure>\n<p><a href=\"https:\/\/blog.cjh.org\/index.php\/2020\/05\/21\/an-unlikely-journalist-part-2\/\"><span style=\"font-weight: 400;\">SEE PART 2<\/span><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"vidyowebrtcscreenshare_is_installed\"><\/div>\n<div id=\"vidyowebrtcscreenshare_is_installed\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>By Lauren Gilbert (co-curator) Senior Manager for Public Services, Center for Jewish History UPCOMING EXHIBITION | An Unlikely Photojournalist: Emile Bocian in Chinatown Emile Bocian (1912-1990), son of Eastern-European Jewish immigrants, was perhaps the only non-Asian resident of Chinatown\u2019s iconic Confucius Plaza apartment complex at the intersection of Bowery, Doyers Street, and Division Street in the 1970s and 80s.\u00a0Through a series of chance encounters,&#8230;<\/p>\n","protected":false},"author":3,"featured_media":3416,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[10,1273,1274,1272,159,1275],"class_list":["post-3365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-post","tag-center-for-jewish-history","tag-chinatown","tag-emile-bocian","tag-museum-of-chinese-in-america","tag-new-york-city","tag-photojournalism"],"_links":{"self":[{"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/posts\/3365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/comments?post=3365"}],"version-history":[{"count":134,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/posts\/3365\/revisions"}],"predecessor-version":[{"id":4416,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/posts\/3365\/revisions\/4416"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/media\/3416"}],"wp:attachment":[{"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/media?parent=3365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/categories?post=3365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/tags?post=3365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}