{"id":3529,"date":"2020-05-21T14:20:48","date_gmt":"2020-05-21T14:20:48","guid":{"rendered":"https:\/\/blog.cjh.org\/?p=3529"},"modified":"2024-06-04T18:18:18","modified_gmt":"2024-06-04T18:18:18","slug":"an-unlikely-journalist-part-2","status":"publish","type":"post","link":"https:\/\/blog.cjh.org\/index.php\/2020\/05\/21\/an-unlikely-journalist-part-2\/","title":{"rendered":"An Unlikely Journalist: Emile Bocian in Chinatown, Part 2: <br>A NEIGHBORHOOD IN TRANSITION"},"content":{"rendered":"<h3>By Lauren Gilbert (co-curator)<br \/>\nSenior Manager for Public Services, Center for Jewish History<\/h3>\n<h2>An Unlikely Journalist: Emile Bocian in Chinatown, Part 2<br \/>\nA NEIGHBORHOOD IN TRANSITION<\/h2>\n<figure id=\"attachment_3459\" aria-describedby=\"caption-attachment-3459\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img class=\"wp-image-3459 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-1024x512.jpg\" alt=\"\" width=\"1024\" height=\"512\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-1024x512.jpg 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-300x150.jpg 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-768x384.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-420x210.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-840x420.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1-1130x565.jpg 1130w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Bocian-quote-1.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-3459\" class=\"wp-caption-text\">Emile Bocian in the 1970s. Courtesy of The Museum of Chinese in America (MOCA).<\/figcaption><\/figure>\n<h3><b><i>This is a series of blog posts about the upcoming exhibition <\/i><\/b><b>An Unlikely Photojournalist: Emile Bocian in Chinatown<\/b><b><i>, a joint project of <\/i><\/b><a href=\"http:\/\/www.mocanyc.org\"><b><i>The Museum of Chinese in America (MOCA)<\/i><\/b><\/a><b><i> and Center for Jewish History. For an overview of the exhibition and its origins, read <\/i><\/b><a href=\"https:\/\/blog.cjh.org\/index.php\/2020\/05\/08\/upcoming-exhibition-an-unlikely-photojournalist-emile-bocian-in-chinatown\/\"><b><i>this post<\/i><\/b><\/a><b><i> first.<\/i><\/b><b>\u00a0<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Emile Bocian (1912-1990), son of Eastern-European Jewish immigrants, photographed Chinatown from 1974 to 1986, a period of extreme transition for the community. He used to tell his friend Mae Wong, who rescued his photo archive from his apartment after his death and donated it to MOCA, that he was taking pictures of the streets of Chinatown because he thought they would be a valuable reference, and he hoped to return in the future to document the changes. Though he was unable to complete that task in his lifetime, CJH art director Shayna Marchese returned to photograph selected sites earlier this year for this exhibition.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As one of the last neighborhoods in Manhattan to undergo gentrification, Chinatown still boasts many of its original structures, in some cases even housing the same business as in Bocian\u2019s day, such as the Hop Shing Restaurant at 9 Chatham Square.\u00a0<\/span><i><span style=\"font-weight: 400;\">(below)<\/span><\/i><\/p>\n<figure id=\"attachment_3534\" aria-describedby=\"caption-attachment-3534\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HopShing.jpg\"><img class=\"wp-image-3534 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HopShing-1024x384.jpg\" alt=\"\" width=\"1024\" height=\"384\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HopShing-1024x384.jpg 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HopShing-300x112.jpg 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HopShing-768x288.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HopShing-420x157.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HopShing-840x315.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HopShing-1130x424.jpg 1130w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HopShing.jpg 1686w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-3534\" class=\"wp-caption-text\">Left: Emile Bocian, 1978. Courtesy of The Museum of Chinese in America (MOCA). Right: 2020<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">However, over the past 15 to 20 years, several structures have been torn down or renovated into upscale apartments, hotels, or offices, as evidenced by the replacement of the Silver Palace Restaurant (next to the Manhattan Savings Bank) by the modern glass high-rise &#8220;Hotel 50 Bowery,&#8221; once the site of a <\/span><a href=\"https:\/\/www.nytimes.com\/interactive\/2016\/02\/04\/nyregion\/bowery-50-timeline.html\"><span style=\"font-weight: 400;\">Yiddish vaudeville theater<\/span><\/a><span style=\"font-weight: 400;\">. <\/span><i><span style=\"font-weight: 400;\">(below)<\/span><\/i><\/p>\n<figure id=\"attachment_3540\" aria-describedby=\"caption-attachment-3540\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/SilverPalace.jpg\"><img class=\"wp-image-3540 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/SilverPalace-1024x387.jpg\" alt=\"\" width=\"1024\" height=\"387\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/SilverPalace-1024x387.jpg 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/SilverPalace-300x113.jpg 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/SilverPalace-768x290.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/SilverPalace-420x159.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/SilverPalace-840x317.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/SilverPalace-1130x427.jpg 1130w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/SilverPalace.jpg 1688w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-3540\" class=\"wp-caption-text\">Left: Emile Bocian, 1980. Courtesy of The Museum of Chinese in America (MOCA). Right: 2020<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Many of Bocian\u2019s storefront photos offer a glimpse into a vanishing metropolis. As a result of the ongoing evolution from an immigrant enclave into an upscale neighborhood and tourist destination, many traditional small businesses have disappeared since Bocian\u2019s era.<\/span><i><span style=\"font-weight: 400;\"> (below)<\/span><\/i><\/p>\n<figure id=\"attachment_3544\" aria-describedby=\"caption-attachment-3544\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Four-New-Store.jpg\"><img class=\"wp-image-3544 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Four-New-Store-1024x768.jpg\" alt=\"\" width=\"1024\" height=\"768\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Four-New-Store-1024x768.jpg 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Four-New-Store-300x225.jpg 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Four-New-Store-768x576.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Four-New-Store-420x315.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Four-New-Store-840x630.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Four-New-Store-1130x848.jpg 1130w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/Four-New-Store.jpg 1582w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-3544\" class=\"wp-caption-text\">Emile Bocian, \u201cFour New Shop,\u201d date unknown. Courtesy of The Museum of Chinese in America (MOCA).<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">In addition to the general demographic and economic forces conspiring against local small businesses in Chinatown, bookstores like Wah Kue &amp; Co. <\/span><i><span style=\"font-weight: 400;\">(below left) <\/span><\/i><span style=\"font-weight: 400;\">and Quong Sun <\/span><i><span style=\"font-weight: 400;\">(below right)<\/span><\/i><span style=\"font-weight: 400;\"> faced the additional challenges inherent to their business model in the internet era.<\/span><\/p>\n<figure id=\"attachment_3548\" aria-describedby=\"caption-attachment-3548\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/bookstores.jpg\"><img class=\"wp-image-3548 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/bookstores-1024x449.jpg\" alt=\"\" width=\"1024\" height=\"449\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/bookstores-1024x449.jpg 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/bookstores-300x132.jpg 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/bookstores-768x337.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/bookstores-420x184.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/bookstores-840x368.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/bookstores-1130x495.jpg 1130w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-3548\" class=\"wp-caption-text\">Left &amp; Right: Emile Bocian, date unknown. Courtesy of The Museum of Chinese in America (MOCA).<\/figcaption><\/figure>\n<figure id=\"attachment_3553\" aria-describedby=\"caption-attachment-3553\" style=\"width: 255px\" class=\"wp-caption alignleft\"><img class=\"wp-image-3553 size-medium lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/MulberryStreet-255x300.jpg\" alt=\"\" width=\"255\" height=\"300\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/MulberryStreet-255x300.jpg 255w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/MulberryStreet-768x904.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/MulberryStreet-870x1024.jpg 870w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/MulberryStreet-420x494.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/MulberryStreet-840x988.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/MulberryStreet-1130x1330.jpg 1130w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/MulberryStreet.jpg 1280w\" sizes=\"(max-width: 255px) 100vw, 255px\" \/><figcaption id=\"caption-attachment-3553\" class=\"wp-caption-text\">Emile Bocian, date unknown. Courtesy of MOCA.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In the past several months, the neighborhood has been harder hit than most, beginning with <\/span><a href=\"https:\/\/www.nytimes.com\/2020\/03\/23\/arts\/design\/chinatown-museum-fire-archives.html\"><span style=\"font-weight: 400;\">the January 23 fire that consumed the landmark Chinatown building housing MOCA\u2019s archives<\/span><\/a><span style=\"font-weight: 400;\">, known as the \u201c<\/span><a href=\"https:\/\/www.archives.nyc\/blog\/2020\/2\/13\/the-heart-of-chinatown-70-mulberry-street\"><span style=\"font-weight: 400;\">Heart of Chinatown<\/span><\/a><span style=\"font-weight: 400;\">.\u201d Constructed as a public school in 1893, the building, located at 70 Mulberry Street, <\/span><i><span style=\"font-weight: 400;\">(left)<\/span><\/i><span style=\"font-weight: 400;\"> is <\/span><a href=\"https:\/\/gothamist.com\/news\/city-moves-forward-demolition-historic-chinatown-building\"><span style=\"font-weight: 400;\">currently slated for demolition<\/span><\/a><span style=\"font-weight: 400;\"> by October 2020 despite strong community opposition<\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Since the <\/span><a href=\"https:\/\/www.nytimes.com\/2020\/03\/23\/us\/chinese-coronavirus-racist-attacks.html\"><span style=\"font-weight: 400;\">earliest days of the COVID-19 pandemic<\/span><\/a><span style=\"font-weight: 400;\"> in NYC, the Asian-American community has been subjected to increased instances of <\/span><a href=\"https:\/\/www.nytimes.com\/2020\/04\/12\/magazine\/asian-american-discrimination-coronavirus.html\"><span style=\"font-weight: 400;\">racism and xenophobia<\/span><\/a><span style=\"font-weight: 400;\">, symptomatic of similar trends\u00a0<\/span><a href=\"https:\/\/www.hrw.org\/news\/2020\/05\/12\/covid-19-fueling-anti-asian-racism-and-xenophobia-worldwide\"><span style=\"font-weight: 400;\">worldwide<\/span><\/a><span style=\"font-weight: 400;\">. As a result, the restaurants and shops of Chinatown suffered a <\/span><a href=\"https:\/\/www.foodandwine.com\/travel\/restaurants\/chinatown-needs-your-love-more-than-ever-right-now\"><span style=\"font-weight: 400;\">precipitous drop in business<\/span><\/a><span style=\"font-weight: 400;\"> well before the mandated city-wide shutdown. A <\/span><a href=\"https:\/\/www.grubstreet.com\/2020\/04\/activists-launch-new-efforts-to-save-chinatown-businesses.html\"><span style=\"font-weight: 400;\">community effort<\/span><\/a><span style=\"font-weight: 400;\"> is now underway to save the imperiled independent restaurants of Chinatown, whose razor-thin profit margins make them particularly reliant on high volume for their continued existence. Even in a post-pandemic world, if working from home remains the norm for many, Chinatown businesses that rely on workers from the nearby Financial District, courthouses, and municipal buildings <\/span><a href=\"https:\/\/www.nytimes.com\/2020\/05\/12\/nyregion\/coronavirus-work-from-home.html\"><span style=\"font-weight: 400;\">may never recover a significant portion of their customer base<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<figure id=\"attachment_3558\" aria-describedby=\"caption-attachment-3558\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HunanGarden.jpg\"><img class=\"wp-image-3558 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HunanGarden-1024x800.jpg\" alt=\"\" width=\"1024\" height=\"800\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HunanGarden-1024x800.jpg 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HunanGarden-300x234.jpg 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HunanGarden-768x600.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HunanGarden-420x328.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HunanGarden-840x656.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HunanGarden-1130x883.jpg 1130w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/HunanGarden.jpg 1399w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-3558\" class=\"wp-caption-text\">Emile Bocian, 1976. Courtesy of The Museum of Chinese in America (MOCA).<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">The staff of MOCA has been working throughout this period of crisis to counter the hatred and racism directed against Asian-Americans and to create spaces for the marginalized to be heard through their <\/span><a href=\"https:\/\/www.mocanyc.org\/visit\/\"><span style=\"font-weight: 400;\">One World COVID-19 Special Collection<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<figure id=\"attachment_3562\" aria-describedby=\"caption-attachment-3562\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/NewYearParade.jpg\"><img class=\"wp-image-3562 size-large lazyload\" data-src=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/NewYearParade-1024x792.jpg\" alt=\"\" width=\"1024\" height=\"792\" srcset=\"https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/NewYearParade-1024x792.jpg 1024w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/NewYearParade-300x232.jpg 300w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/NewYearParade-768x594.jpg 768w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/NewYearParade-420x325.jpg 420w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/NewYearParade-840x650.jpg 840w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/NewYearParade-1130x874.jpg 1130w, https:\/\/blog.cjh.org\/wp-content\/uploads\/2020\/05\/NewYearParade.jpg 1406w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption id=\"caption-attachment-3562\" class=\"wp-caption-text\">Emile Bocian, Lunar New Year celebrations, 1976. Courtesy of The Museum of Chinese i America (MOCA).<\/figcaption><\/figure>\n<p><b><i>The installation of <\/i><\/b><b>An Unlikely Photojournalist: Emile Bocian in Chinatown<\/b><b><i>, originally planned for late March, has been postponed due to the current closure of the Center for Jewish History. Please check back on our <\/i><\/b><a href=\"https:\/\/www.cjh.org\/\"><b><i>website<\/i><\/b><\/a><b><i> for updates, and look for additional blog posts in the coming weeks.<\/i><\/b><\/p>\n<p>SEE <a href=\"https:\/\/blog.cjh.org\/index.php\/2020\/07\/01\/an-unlikely-journalist-emile-bocian-in-chinatown-part-3-activism\/\">PART 3<\/a><\/p>\n<hr \/>\n<p>Lauren Gilbert (co-curator)<br \/>\nSenior Manager for Public Services<br \/>\nCenter for Jewish History<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Lauren Gilbert (co-curator) Senior Manager for Public Services, Center for Jewish History An Unlikely Journalist: Emile Bocian in Chinatown, Part 2 A NEIGHBORHOOD IN TRANSITION This is a series of blog posts about the upcoming exhibition An Unlikely Photojournalist: Emile Bocian in Chinatown, a joint project of The Museum of Chinese in America (MOCA) and Center for Jewish History. For an overview of&#8230;<\/p>\n","protected":false},"author":3,"featured_media":3562,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[10,1273,1274,1272,159,1275],"class_list":["post-3529","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-post","tag-center-for-jewish-history","tag-chinatown","tag-emile-bocian","tag-museum-of-chinese-in-america","tag-new-york-city","tag-photojournalism"],"_links":{"self":[{"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/posts\/3529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/comments?post=3529"}],"version-history":[{"count":46,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/posts\/3529\/revisions"}],"predecessor-version":[{"id":4415,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/posts\/3529\/revisions\/4415"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/media\/3562"}],"wp:attachment":[{"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/media?parent=3529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/categories?post=3529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.cjh.org\/index.php\/wp-json\/wp\/v2\/tags?post=3529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}